Synopsis

Thackary is a footloose, free-spirited Northern Californian, who finds love time and time again. His life takes a dramatic turn when his mother tells him that the man who raised him is not his biological father. Thackary Grossman, a 39-year-old occasional carpenter and surfer, sets out to discover a new father and define his own identity.
Klausner and Strebel, a San Francisco husband-and-wife film making team, offer an intimate look at key events in Thackary’s odyssey of discovery as he grapples with his new reality. A longtime, close friendship with Thackary gave the filmmakers unusual access to shoot the first meeting with his new-found father, Walt Tulecke. The film finds its groove in depictions of often awkward encounters during which raw emotions are vividly captured on screen. The characters seem unfazed by the camera, even when discussing the most painful subjects.

The news that Walt is Thackary’s biological father is not welcomed by all. Peter Grossman, a psychotherapist and the father who raised Thackary as his son, finds it hard to accept the fact that his ex-wife Baba had a secret affair with his old friend Walt, resulting in Thackary’s birth some 40 years earlier. Peter wonders why Baba dropped such a bombshell after so much time had passed.

Project history
Four years ago, Kathy Klausner, a San Francisco stay-at-home-mom, was at the Sundance Film Festival when she got into a conversation about documentaries with a group of friends. “What kind of documentary would I make?” they each asked themselves. Klausner had no idea until two weeks later, when her old friend Thackary Grossman told her that he was going to meet his biological father for the first time.

With Strebel as cinematographer, Strebel and Klausner co-directed their first film. They had no inkling where the story would lead, and neither of them expected filming to last three years. It took two years alone to get Peter Grossman, the father who had raised Thackary, in front of the camera.
Finally, after shooting 60 hours of mini-DV cassettes, the filmmakers began editing what would become a bittersweet tale. “We realized at one point that this may not be a happy story,” says Strebel.
“It’s about family and who you consider family. Everybody has family and everyone has to deal with their family,” says Strebel. “Here is a middle-aged guy who is thrown into the midst of it. This is a huge adjustment for anyone to make.” “There was a lot of hope and expectations,” says Klausner. “But who raised you is so much more important than who conceived you. Thackary realized that it takes more than biology to create family. It’s not a quick fix. You can’t erase the 45 years before Thackary met his real father.”

For Klausner and Strebel, documenting Thackary’s intimate family story was fraught with the risk of losing him as a friend. “It’s really tricky to make a film about one of your best friends and not let the friendship interfere. At the same time, filming the story was possible only because of the friendship,” Strebel says.
The filmmakers ultimately enlisted Thackary to compose and record most of the music for the film. It was a harrowing process, as Thackary kept delaying the recording session until the very last possible moment. Thackary’s music adds another dimension to the film’s portrayal of a complex character.
